It’s only a couple of weeks now until the 9th West Country Scythe Fair in Somerset. Prior to the festival as usual there will be a series of special training courses for people who either want to teach mowing, lead groups or simply get tuition and advice from four of the top scythe people in the country.
The course runs from Thursday 6 to Saturday 8 June at the West Country Scythe Fair, near Langport Somerset,
Cost of course, including lunch and entry to the Scythe Fair on Sunday: individuals £165; organizations £195.
Contact Simon at chapter7@tlio.org.uk ; 01297 561359
Advanced Course at the West Country Scythe Fair 6-8 June including teaching scythe use, and supervising teams of mowers
This three day course provides the most thorough and advanced tuition available in the UK today. The course is designed for people who want to to attain a high degree of proficiency, who want to teach other people or who supervise teams of volunteers.
The four tutors are:
- Christiane Lechner who teaches scythe use and yoga in Austria
- Phil Batten who teaches in Wales, the only person to score 10 out of 10 for quality in the West Country competition.
- Steve Tomlin who teaches scythe use in Cumbria and runs the Sytherspace website http://scytherspace.wordpress.com/
- Simon Fairlie organiser of the Scythe Festival and Scythe Shop
On 6 and 7 June we run you through all aspects of scythe use and maintenance in detail, with particular emphasis on how to identify faults and how to explain techniques to other people. We also cover matters such as health and safety, insurance, and organizing teams of mowers, scythe courses etc.
On 8 June in the morning you will be teaching beginners to mow, under the supervison of one of the tutors.
In the afternoon there are a number of workshops, including peening, grassland management, haymaking, mowing wheat and other grains, English scythes etc.
On 9 June is the Scythe Fair and competition, in which you should have a fair chance of reaching the finals.
People who come on this course are expected to have done a one-day beginner’s course, or else have gained some previous experience in using a scythe. Read about last years scythe teachers course
As always we started out with setting up the scythes before going out to get cutting. Because of the weather the grass we had was all very short but that’s a great tool for learning. One of the most difficult things for beginners is to learn to keep the scythe blade on the ground but with only 4″ of grass you’re forced to do that or nothing gets cut!
Spoon carving is an engaging pastime which is accessible to all, requiring only a small toolkit and easily-found materials. It makes an ideal introduction to woodworking for beginners while the design elements and particular skills will engage more experienced woodworkers.
The venue is the beautiful smallholding Sprint Mill, Burneside just outside Kendal. We’ll spend the day setting up the scythe to fit your body and then get straight out to the field to learn and practise my gentle efficient mowing style. Lots of time and a small group means I am able to watch every person and offer individual guidance on developing your technique. I’ll also teach you to hone the blade safely in the field for a razor edge and show you how to peen and care for your scythe.
For anyone who’s new to the scythe, peening is the process of hammering out the edge of the blade to make it thinner and give it the correct bevel angle as the first stage in sharpening. It’s the same part of the sharpening process as grinding a chisel except here the work is done with a hammer and anvil or a jig. This way, there’s no chance of burning the delicate edge and you aren’t grinding away steel, rather pulling it out from the body of the scythe blade.
Meanwhile Jane Schofield wrote with more information regarding those Castle Drogo chairs. Her husband commissioned the chairs for the restaurant following the ‘Great Storm’ of 1990 which felled many trees on the National Trusts properties. The actual timber for the chairs came from Knightshayes Court in Tiverton rather than Castle Drogo itself as I’d been led to believe. A set of photographs of the making process were also commissioned at the time and hung in the restaurant; I wonder where they are now? Something to follow up..
From the Shakers through Jennie Alexander to David Drew the stories of the two chairs are form a heritage with each successive craftsperson adding their own identity. I am even more proud to be making them now myself and hope I can do them justice.
