I’ve had a brilliant day teaching a group how to make fan birds. This is the third time I’ve taught fan bird carving at my workshop in Cumbria and I’ve made some modifications to the way I teach which really paid off.
The course was full which meant stocking up on extra tools for everyone and gave me the opportunity to make some new knives for splitting the feathers which worked really well. Extra wide chisels also made cutting the notches easier while the piece of larch I bought for the course was a dream, splitting almost on its own into billets.

Half of the group were complete beginners to woodworking which I really like as they can learn to work wood without dust or the use of machine tools. Jim, a forester from Perth, came especially to get away from the usual noise of his work.
With this course we work through each of the stages together and I demonstrate the cuts along with the important features of the finished shape. By the afternoon we were splitting feathers and, once the body was carved it was time to spread the wings. After making so many fan birds, I’ve got a lot of confidence in how far the feathers will bend but for beginners it’s a nervous time as the culmination of their work. This is the magic of fan birds and the thing that made me want to make them myself so it’s a great reminder for me of that trepidation and wonder.

We ended up with some terrific birds, a testimony to good work from the group and I got some new ideas of ways to make the course even better for next time.

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Spoon carving is an engaging pastime which is accessible to all, requiring only a small toolkit and easily-found materials. It makes an ideal introduction to woodworking for beginners while the design elements and particular skills will engage more experienced woodworkers.



The venue is the beautiful smallholding Sprint Mill, Burneside just outside Kendal. We’ll spend the day setting up the scythe to fit your body and then get straight out to the field to learn and practise my gentle efficient mowing style. Lots of time and a small group means I am able to watch every person and offer individual guidance on developing your technique. I’ll also teach you to hone the blade safely in the field for a razor edge and show you how to peen and care for your scythe.







For anyone who’s new to the scythe, peening is the process of hammering out the edge of the blade to make it thinner and give it the correct bevel angle as the first stage in sharpening. It’s the same part of the sharpening process as grinding a chisel except here the work is done with a hammer and anvil or a jig. This way, there’s no chance of burning the delicate edge and you aren’t grinding away steel, rather pulling it out from the body of the scythe blade.
Meanwhile Jane Schofield wrote with more information regarding those Castle Drogo chairs. Her husband commissioned the chairs for the restaurant following the ‘Great Storm’ of 1990 which felled many trees on the National Trusts properties. The actual timber for the chairs came from Knightshayes Court in Tiverton rather than Castle Drogo itself as I’d been led to believe. A set of photographs of the making process were also commissioned at the time and hung in the restaurant; I wonder where they are now? Something to follow up..
From the Shakers through Jennie Alexander to David Drew the stories of the two chairs are form a heritage with each successive craftsperson adding their own identity. I am even more proud to be making them now myself and hope I can do them justice.
We started as always with the axe which for most people is the most difficult tool as it requires strength as well as technique to use accurately. I was impressed by how Denise got on with but when, halfway through, she also admitted to being a drummer it became clearer why she had the forearm strength and good rhythm. We worked at different exercises to gain confidence and then develop the beginnings of accuracy.


It means I have the funding to spend 3 weeks in Sweden working and studying with 

