Rakes at Elvaston Castle

It’s a rake making month as I’m just back from a great weekend demonstrating at Elvaston Woodland Festival. I get to camp in some brilliant places during these events and Saturday was a beautiful morning so I got up early to have a look around the park and enjoy the parterre garden and topiary.
parterre garden sculpted trees
The festival is a free event so folk wandered in and got the chance to see a really first-class collection of craftspeople demonstrating around the site. I spent the weekend bashing tines through the cutter and putting together a hill rake I had seen during my last visit to the Museum of English Rural Life (MERL) in Reading. It has the head set at 45degrees to the handle with the teeth showing top and bottom and is intended for rowing up hay on steep hillsides.
These events are a very social occasion for lots of craftspeople who only meet up during the show season. I met loads of new folk and my mate Rob came over from his stand to try out my stail engine for rounding up tapered rake handles.
Hill rake Rob Wood with stail engine
 

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Rake making at Beamish

Beamish town at night
I’m back in the modern world after a weekend spent at Beamish museum making wooden rakes as part of their 1913 Show of Agriculture. My rakes are traditionally made using cleft timber and hand tools as working implements so I was happy to be asked to take part in their 1913 agricultural show among the veg stalls, weavers and displays of animals. It was a busy weekend with lots of visitors as befits this award winning museum. I was camping in the grounds for the weekend so had a chance to wander around in the evenings and early mornings soaking up the atmosphere – I can imagine it being pretty spooky on a misty night.
I was kitted out in costume and set off with my bag of vintage tools to their show site in the fields across from Pockerley Old Hall. Once the cars are gone, it’s hard not to feel like you’ve stepped back in time as you walk along the cobbled streets through town with brass bicycle lamps and wash tubs on sale and see old trams and buses going by. My own tool kit fits this era anyway as I work almost always with hand tools finding them much more responsive and versatile than most power tool  equivalents. Over the weekend I demonstrated every aspect of making wooden hay rakes including lots of bashing of billets through my tine cutter to make teeth, shaving out and drilling the head by hand and eye and rounding up the handle with my homemade stail engine. Most folk just stayed long enough to knock through a few tines or reminisce about using rakes during the harvest but one or two either stayed on or came back several times and saw the full process.
rake making making wooden rake teeth
The highlights for me were meeting Helen Moran and Jim Elliott. Helen is an expert in the history and making of corn dollies, a very old rural craft tradition. We chatted about old wheat varieties while I watched her nimble fingers weaving up another of her perfect patterns which range from simple knots and horseshoes to intricate fans and statues.
Helen Moran weaving a corn dolly One of Helen Moran's wonderful corn dolly creations
Outside, Jim was busy in the field ploughing with his horses. A champion ploughman, it was a pleasure to watch him and his team at work, making a better job of the work than the vintage tractors and quicker too.
Jim Elliott Jim Elliott ploughing with horses

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Old tools

This weekend I’ll be demonstrating making wooden rakes at Beamish museum’s Show of Agriculture which recreates an agricultural show from 1913.  I’ve been measured for a period costume and working through my tools, sorting out which will be suitable for the show.
making shavingsThankfully, I”m a hand tool worker and often use old tool because the skills I employ were most common in the pastand they’re very often better quality than modern tools. This means my tool box consists of an axe, drawknife, spokeshaves, brace and bits, knives and proper saws with teeth you can sharpen. To add to those I’ve sharpened and fettled up a wooden smoothing plane which is a pleasure to use, made a simple measuring stick for the rakes instead of  my normal tape measure and built a bucksaw to cut the logs to length.
People often ask why I use these old-fashioned tools nowadays but for me, combined with fresh greenwood, they are the most efficient and pleasurable way of working. They are versatile and ergonomic, will work anywhere (they’re the ultimate cordless tools) and even survived a workshop fire last year. I’ve already had years of use from them and the names stamped into them show that they’ve already done service for one or more craftsmen. To be part of that heritage fills me with pride when I use them.
proper tools
I’m really looking forward to being at the museum for two days of making rakes and demonstrating how effective these simple tools are at a fair based around a time of hand working. I can’t wait to see what other demonstrations are there so if you’re in the area, call in and see what’s going on.

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Spooncarving Workshop

Spoonfest was a really exciting and inspiring weekend so I’ve been carving a few more spoons since coming home and trying out new ideas. One of the most interesting talks was by Terence McSweeney, a professional osteopath who gave a talk on body posture and good tools use. This is something I’ve been interested in for a while and I incorporate warm-up exercises and stretches when I’m carving or teaching courses. Terence demonstrated a very dynamic looking stance for axing which has a rock-n-roll look to it but allows you to keep your back upright while working at the block so I’ve been practising that and feeling the benefits.
Spoon axe work
Christiane was working on a spoon in very spalted birch based on one made by Jarrod Stone Dahl which she bought at Spoonfest while I was developing my eating spoon designs including adding some colour to the handle.
spoon carving hand carved birch eating spoons
If you’re interested in learning to carve or build on your existing skills, I’m running a two-day Spooncarving Workshop 6 & 7 October at Kendal in the Lake District. During the weekend you’ll learn to select timber for carving, axe work plus a range of  safe and efficient knive techniques to produce your own kitchen utensils from local native woods. The cost of the weekend is £125 which includes tea & coffee,  all materials and use of my tools.
More info on my coursese page, to book a place, please send an email to steve-tomlin[at]hotmail.co.uk

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Spoonfest 2012

A whole weekend of carving wooden spoons, who’s going to go to that? Well, 150 of us did turn up to Edale for Spoonfest 2012 which was a hugely fun couple of days which went by all too quickly.
Digging for rootsDriving down into Edale valley on friday lunchtime Christiane and I could see the giant marquee set up and our anticipation started to mount. We spotted a few friends straight away and the spoon talk started. I’d arrived early to meet up with Jarrod Stone Dahl, a brilliant craftsman from the US who I’ve been talking with over the internet about birch bark and spoons since last winter. It was a pleasure to meet such a lovely guy and we all took off to find spruce roots for his knife sheath workshop. Armed with a trowel and a plank of wood we dug around in the woods with Jarrod explaining what he looks for and discussing climate, lifestyles, farming, ginger beer and whatever.
By the time we got back, set up the tent and helped our Rob and Barn with some jobs time was getting on and I was getting itchy to make a spoon. We just had time for me to axe a blank for Christiane before Jojo called ‘Tools Down!’ and the bar opened. We grabbed a drink and took our seats for a brilliant talk by Swedish spooncarver Jogge Sundqvist about the ‘Four Walls of Craft’ which I really enjoyed. Then time for more spoon chat and an early-ish night ahead of the main event.
Queuing for workshopsThe rest of the weekend was a bit of a blur. None of us had expected the demand for spoon courses with the queue stretching the length of the marquee and back so we all added extra sessions to try and get everyone into their chosen session. I was running a workshop called ‘Improve your spoons’, focusing on the design element of wooden spoons as well as demonstrating my carving process. It was a lot to fit into the 1½ hr sessions which inevitably overran and there was hardly time to take a breath but I was feeding off the buzz and enthusiasm which was everywhere.
To be honest, I was fairly nervous about running this workshop, wondering if anyone would want to hear me tell them what makes a good spoon and how to make it. Fortunately, Jogge had given a demonstration of carving first thing in the morning and I was pleased to see that he followed basically the same method as me and that his ‘Four walls’ talk had touched on the importance of design and learning from tradition. Emboldened by this I set-to and said my thing. Thanks to all the folk who later gave me their kind feedback including the chap who was inspired to use one of his spoons for the first time ever and the lady who said she’d looked at her work with new eyes and thrown three of her earlier attempts on the fire!
'Improve your Spoons' workshop Richard Law checks his spoon for symmetry
While I was teaching, Christiane took the bark sheath making workshop with Jarrod and also did Robin’s beginner’s carving class. I managed to get a break on Saturday to be part of an incised engraving workshop run by Jan Harm ter Brugge. His work was brilliant and I was pleased to see that he simply used the tip of his carving knife to make the engravings. I’ll be working on developing this for my own work in the future.
Bark sheath workshop Christiane learns from Robin Wood Jan Harm ter Brugge Incised engraving
And so it continued for two days with so many interesting people, ideas and discussions that this could turn into a very long blog post. Have a look at Robin’s Greenwood-carving blog for more images from the weekend and links to other folk’s blogs with their experience. It was all over far too quickly and I’m still taking it all in, thinking over ideas and making spoons since we came back. Huge thanks to Rob and Barn for putting it all together and everyone who made it a special weekend indeed.

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Countryfile scythe lesson

BBC tv Countryfile scythingA look behind the camera during the filming at Brantwood House when I was asked to teach John Craven to scythe for BBC tv’s Countryfile. I would have preferred to give John some instruction in advance but they wanted it ‘live’ for the programme and, with a bit of help, he got a few good strokes. This was all complicated by having to repeat the lesson for different camera angles, trying to remember what I’d said first time while John pretended to take his first cut again.
Learn to scytheMy one-day beginner’s scythe courses take place near Kendal in the Lake District where you will spend a day learning to how to use the scythe in a safe and efficient way. Courses cost £60 and include the use of my scythe kits which are available to buy on the day.
The last dates for this season are 8th and 9th Sept.To book please send me an email at steve-tomlin[at]hotmail.co.uk.
More details, including dates for 2013 can be found on my courses page, click here to read about this year’s previous courses.

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Scythe Improvers and Peening weekend

Scythe lessonAfter teaching so many beginners to scythe this summer, it was great to see some of them back for my Improver’s course at the weekend. Like any skill, learning to scythe well takes time and practise and it helps to have someone check your progress. For this course I organised few different mowing situations to cover different skills.
Scythe sharpeningWe started in the orchard with a clean sward which was short but lying over from the weather. The mowing was deceptively tricky but gave me an opportunity to watch people and work with them on their ‘tai-chi’ style encouraging them to stand up straighter or make more use of their legs while mowing. In between mowing, I gave some help with sharpening and moved people on from the kneeling technique I teach to beginners. Being in the orchard also meant we could also do some trimming around the trees, mulching them at the same time without damaging the tree.
Mowing the slopeAfter lunch came my favourite part, a steep bank covered with tall weeds including hogweed, rosebay willowherb and raspberry canes. It’s the sort of thing that looks like awful work but with a scythe and good technique is actually fairly easy, efficient and lots of fun. Adjusting their grip on the scythe and explaining how to cut thicker material meant that the group could work through the weeds without hacking and risking damage to the blades.
We finished off with another session on some light clean grass and it was satisfying to see the lessons from the morning had stuck and everyone’s improvements over the day.
Scythe peening courseSunday started with a few of us spreading out the grass for hay before the peening course. This was the usual raucus affair with seven people hammering away to shape their blades. These days are important for me to teach good technique, give people the confidence to peen and take away the fear of damaging the blades. Ali and Ian had some damage to their blades so I took them through the process of filing out the nicks and using the flat anvil to peen out metal into the gap. Once peened, we sharpened the blades with a succession of whetstones before taking them back out to try on the meadow.

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Edale Community Orchard tamed

Robin Wood & Steve TomlinJust back from another weekend running a Learn to Scythe course. This week Christiane and I went to teach the folk of Sustainable Edale who want to mow their community orchard. It’s great that word of my scythe workshops had spread from down the road at Bradwell, where I ran a scything course earlier in the year and that my good mate Robin Wood was on the course.
Opening up the long grass in Edale OrchardAfter setting up the scythes we went off to see the orchard to be met by 4 acres of tall tough grasses including sedges and reeds. This kind of vegetation is not the place to first learn the tai-chi scythe movement so we spent the afternoon practising on some shorter, cleaner grass in the village. Then Christiane, Robin, Jojo and I went back over to the orchard in the evening to open up a swath through the grass which was shoulder high in places. With the job well done, we rewarded ourselves with an excellent homemade creme brulee and a glass or two of single malt.
The following day the group were all eager to get over to the orchard and test their mettle in the tougher grass. While we’d been opening it up, I’d identified some patches of easier grass which happily married up with one of the areas of tree planting. With the amazing backdrop of Mam Tor everyone got going and we started to widen out from that first single path. In this kind of situation it’s even more important to use the tai-chi mowing style to do the work rather than just the strength of your arms and folk started to experience this for themselves. With the weight of the grass and the hot sun it was still tiring though so we enjoyed a break and broke early for lunch.
Scythes in Edale Orchard Learn to scythe, Edale
They’ve their work cut out for themselves this year but the condition of the grass should improve with regular cutting and the team were happy that the scythes were the ideal tool to manage the orchard
Sustainable Edale scythe team
During the course we stayed in the modern comfort of Robin’s brand-new holiday cottage The Old Police Station with such a brilliant a view of the hills that we had to stay on an extra day to go up Mam Tor and enjoyed looking down from there onto the newly cleared orchard.
The Old Police Station kitchen On Mam Tor

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Scythes on BBC tv – Countryfile

John Craven, BBC Countryfile & Steve Tomlin, scythe tutorThis week I got a call asking if I would teach John Craven to scythe for an episode of the BBC’s Countryfile programme. They were filming at Brantwood House and focussing on John Ruskin’s work in training and education. My recent “Learn to Mow with an Austrian Scythe” course tied in the training aspect with the gardens and also gave an excuse to get John to try out something new for the viewers.
As backdrop for the filming I invited the NW Scythe Group, who the tv crew affectionately named the “Scythe Mafia” (does that make me the Scythe Godfather?), to come along and mow with us for their chance to grab a bit of prime-time telly.
Scythes on CountryfileHappily, the tv crew brought some southern weather with them and we had the first hot summer day for several weeks. The grass was getting on a bit but still had a last flush of flowers and cut sweetly for camera. Hopefully this will show the mowing as the efficient and pleasant work I promote and teach.
So how about the actual lesson? I’d had a lot of discussion with the production staff prior to the day about safety (“Will he cut his feet off?”) but once I’d convinced them of the scythe’s safety and that I’m qualified to teach how to scythe they were happy for John Craven to have a go. I brought a newly peened 65cm profisense scythe for him and we set this up together off-camera. I suggested we then spend 10 minutes going through the mowing technique together so he could get a feel for it. John decided that wasn’t necessary and he would have a go ‘in real time’ for the rolling camera. Tune in to BBC1 on August 19th to find out how he did…

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Love in the Meadow

During preparations for the Northern Scythe Competition, Christiane and I found ourselves mowing the same swath, perfect opportunity for some love in the meadow.

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