This photo shows why I was so keen to get turning beads with the skew chisel under my belt. After years of making post and rung chairs I’ve finally set my sights on making some windsor chairs so I’m investing time into building skills and sourcing tools for the work.
It’s taken me this long to get around to making a windsor because, up to now I’d never found them that interesting until I discovered American style of windsor chairs. The shapes are so much bolder to my eye than on English windsors with graceful curves and dynamic angles; a woodworking friend says they look like ‘a faun, ready to spring up and run away’. It’s that kind of movement I’ll be trying to achieve with my own chairs and a lot of it comes from the dramatic turning on the legs along with their splay. I’ve been inspired to this project principally by the work of Curtis Buchanan and Peter Galbert whose work you should check out if you’re interested in windsor chairs, They’re a tough act to follow but really something to aim for.
This leg is turned from a piece of birch as a reference model to use when I’m turning the real sets of chair legs which will be from some good straight ash I have.
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Well, no more of that, I’ve decided to go into 2013 with with me and the skew as working partners so I spent an evening watching whatever videos I could find online into just how people manage to turn over smooth beads without digging in. I’ve not posted any links because, honestly, there wasn’t really one video that had it all. In lots the camera seemed so far away or at such an angle that you couldn’t see the action or there was a perfect bird’s-eye view of the spinning timber but no idea what the person holding it was doing. Watch enough of them though and, assuming everyone’s doing it the same, you can piece together enough of a theory to take to the lathe; it worked for me.
This was highlighted for me last week when I gave two sessions on setting-up the scythe for people buying them for Christmas presents. Heather & Annie came together wanting to also learn about mowing brambles and we spent some time outside while Pip just wanted to know how to fit all the parts together and is now eagerly awaiting the spring.




Sometimes, you just want to take the piece of wood and beat the hell out of it. Thankfully, the other week when Phil, Frank and I did just that it was for good reason and not just to release some built-up frustration.
It’s always easier to actually get on and try these ideas if there’s two of you so I mentioned it to my mate Phil Bradley who’s a basketmaker. He was immediately excited by the possibilities and the video links I sent so we met up on a damp day earlier this month for what we refer to as a ‘play day’ but should probably come under ‘continuing professional development’ or something.

Shrink pots are a simple project; a greenwood log is hollowed out and the inside smoothed using gouges before a shallow groove is cut on the inside at one end. A base is cut from a dry board which fits loosely inside the pot and is captured in the groove as the pot dries. I then shape the outside or leave it with a bark finish and fit lids once the pot has found it’s final shape. They look great for tea and coffee in the kitchen and have loads of uses around the rest of the house too.

