With the hot, dry weather we’ve been having we decided to make hay from the grass cut on my learn to scythe course. The grass is quite light which made the scything easier and also meant it made in to hay with only a couple of days good sun.
To keep ourselves from getting bored since we finished building the curach, Edward, Ian & I decided to build a haybaler based on those used in the States. This is a simple wooden box into which the hay is compressed using a pad on a lever. The string is put in first and can be tied up through slots in the door. Feed in the hay, compress it with the lever, tie it off then open the door – perfect bales, small and light enough to be easily handled.
We weren’t in any doubt that it would work but this small amount of hay made a brilliant test run before tackling a whole meadow and sure enough we discovered a few modifications and improvements we’ll make for the Mark II.

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I’ve been carving these wonderful birds for a year now and wanted to share the skills and techniques I learned and developed so more people can make them. They always attract a lot of attention when I go to shows because they’re so beautiful and amazingly carved from a single piece of wood.


It was hot, hot, hot in Cumbria this weekend – gorgeous weather to be out learning to scythe and that’s just what we were doing on my latest course. I love teaching folk to use the scythe and we’re lucky to have the orchard at Sprint Mill as such an ideal setting. Now that we’ve mown the grass there three or four times, the sward is really clean and obstacle free so it’s perfect for beginners wanting to learn to mow.







An important part of making the snath is getting the right rotation of the stem and aligning the handgrips with the blade. Draw an imaginary line through the two handgrips (or the place on the snath where your hand sits if there’s only a single grip) and note where this line crosses the scythe blade. There’s a ‘sweet spot’ on the blade about one third of the way along it’s length, measured from the heel. This is where the blade rides on the ground as it cuts and the handgrips should be in alignment with this point to direct your energy most effectively into the blade.
I’m fortunate that, through knowing Christiane Lechner, I can examine the snaths that Peter Vido made for her. In the top photo the camera was placed on the left-hand grip and you can see how the lower grip aligns with the sweet spot. On Rico’s snath, in the lower photo, the grip is rotated too far to the right.

