I got back last night from the second round of filming the mowing scenes for Anna Karenina by Tolstoy. While we were away somebody told us about that the filming had made the papers because of extras being supposedly underpaid. Read the article in the Independent here.
Well, I can understand that there should be a minimum wage for this kind of work the same as anything else but, to be honest I can’t imagine who of our group would have complained. Everyone I spoke with agreed that it was great fun and the pay was a bonus for the chance to mow together in a huge team of scythers. A lot of the time we just hung around in our false beards or peasant dresses soaking up the sun and atmosphere.
All the production team were helpful and friendly, and patient with our inexperience of the film industry and constant early-morning peening. Getting paid to hang out with friends, have a laugh and dress up as Russian peasants? No complaints here.
-
Recent Posts
-
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy - June 2026
- April 2026
- March 2026
- December 2025
- October 2025
- August 2025
- July 2025
- June 2025
- May 2025
- April 2025
- March 2025
- February 2025
- November 2024
- September 2024
- August 2024
- July 2024
- June 2024
- May 2024
- April 2024
- March 2024
- January 2024
- November 2023
- August 2023
- July 2023
- June 2023
- May 2023
- April 2023
- February 2023
- January 2023
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- January 2022
- November 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- June 2020
- May 2020
- March 2020
- February 2020
- December 2019
- November 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- November 2018
- September 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
My skin-on-frame recovery kayak attracted a fair bit of attention as soon as I drove into the campsite at Ullswater with it on the roof of the car. I was suprised how many people remembered and recognised it from 2 years earlier when it was unskinned.
It did feel very exciting to carry the kayak down to the water knowing that this was the real moment of truth and I would find out whether it would actually work. Once I’d managed to get inside, using the paddle to balance I was grateful that Dave and Richard were there to stabilise things. The recovery kayak is designed for surf and manoeuvrability so it feels unstable for a complete novice like me but once I’d got back out Richard took over to show how it’s done and it was brilliant to see it properly in action.

Another great group of folk made for a fun and interesting day for this year’s scythe peening course. I was especially pleased that Jim and Chris came up from Cambridge and Hampshire respectively for the course.
look at getting the setup right and choosing tools, particularly this year with respect to peening hammers which I’ve been exploring during the summer. Most people were familiar with the jig but had struggled with this turning up the edge of the blade. It’s a common problem which is easy to solve so we were able to speed through that and get on to the real fun and intrigue of freehand peening with the anvil. In a beginner’s mowing course there isn’t enough time to teach all the ins and outs of peening (it’s a lot to fit into one day on it’s own) and there’s really only so much you can get from reading a book or even watching a video. There were several ‘eureka’ moments
during the day when I explained something that suddenly clicked the pieces into place such as the benefits of a cut-down hammer and getting the lighting right. I was learning too, techniques for corrective treatment for curled-over edges and coping with scythe blade edges which had become very thick through years of not peening. We made great progress through the day and everyone’s technique improved a huge amount, ready to go away and put in the practice with the foundation of the techniques and knowledge.
We finished the day with some sharpening with whetstones. Once your peening is good this isn’t necessary but if you can still see light reflecting up off the scythe edge then it’s not sharp and some work with the whetstone is needed. That’s especially true with the jig but often forgotten or not mentioned when people demonstrate it’s use.






Our group of hay-tourists certainly drew plenty of attention from the local media. During the week we were photographed and interviewed by two newspapers and filmed by a local news station, an independent film-maker working with the festival organisers and Duna TV from Bucharest. All good publicity for the event and it’s aims to increase the number of people managing their haymeadows in this area.
I’ve been sent this poem by Neil Diment, community officer for the
Nearly everything I make is designed to be used, whether it’s a chair, spoon, bowl or rake. I especially like it when someone meets me at a show and tells me how they’ve been using something they’ve bought from me. I gave this birch serving spoon to my friends Charlie & Alison at the end of last year and they tell me it’s been in daily use ever since for everything from stirring soup, cooking curries to serving up salad. Woodenware really starts to come alive through use, developing a patina and character that you really can’t achieve any other way and improving all the time.

I’ve been in the Transylvania region of Romania taking part in an International Haymaking Festival. During the week we called in to visit Viktor-bacsi (an honorific for older people translated for us as “Uncle Viktor”) who, despite ill health makes and repairs all the wooden hayrakes for the area – about 50 each winter. Viktor-bacsi uses 3 different species for his rakes: hazel for the stail, mountain maple for the heads and ash for the tines. Everything is cleft and shaped by hand for a combination of strength and lightness. It was wonderful too see him working and the simple but ingenious devices he had made for holding the various parts while shaping them with plane, knife and saw.
Each rake has 19 tines, all laboriously shaped by hand first into a long square taper and then a shouldered tenon is handcarved onto one end and the other end rounded with a knife. I sat with him in his small workshop and carved a few tines with him. The wood is all dried before assembly so the tenon is simply made to a push fit into the head – the shoulder stops it pushing further through and on top of the head Viktor-bacsi leaves 2mm of temon protruding which he peens over like a rivet head to prevent the tine falling out. We were shown how the split stail is fitted to the head and his method for getting the head straight and balanced. A lovely little touch are two bands of unstripped bark left on the stail just below the split as decoration.
During our haymaking, I worked with one of the rakes which has seen 20 summers of work. In that time the stail has been polished smooth by the hands that held it and the tines have been worn away to a quarter of their original length yet only one has broken in that time. A tool like this almost knows how to do the work itself and it was an honour to be using it.

