Back from the Bodgers Ball 2011

The Bodger’s Ball was a great weekend; plenty of interesting demos, folk to talk to and time for to relax with a beer. A wonderful setting too at Lower Brockhampton in Herefordshire. Too many things to write now so here’s just a few highlights.

Watching Andy Hayes hewing timbers for a traditional aisled building and talking to him about the french system of apprenticeship and his hopes of establishing something similar within the Association of Pole-lathe Turners.
Sean Hellman with fan bird Sean Hellman carving a beautiful fan bird to win the half-hour challenge while also entertaining his audience in his own inimitable style.
The crosscut saw challenge with Matt Jarvis looking very serious and Dan acting as official timekeeper and log holdfast. I’ve been collecting up old saws, including a 5ft crosscut, for years and learning how to sharpen them. It’s great to find out that other’s have been doing the same.
The ash grows well in Herefordshire and there were plenty of straight clean lengths available for demos and racing. We don’t have such good ash in Cumbria so I took the opportunity to split a log and shave it into rake heads. Thanks to Mark Allery for letting me use his kit.
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First Grass of the Year

Following the long winter break, mowing the first grass of the year is always special. This year it was for a demonstration at the Greenwood Worker’s ‘Bodger’s Ball’.
I always feel a little bit nervous after being away from mowing for so long. I’ve been watching the spring arrive, grass growing and the fields getting lush building anticipation for this moment.  My blade is peened and honed, now check I have everything; spanner and allen key, whetstone and sheath, don’t forget the wedge then go through the process of setting up the blade for lay and hafting angles. I’ve got some butterflies and fumbling fingers as I walk over to the meadow.
Its National Trust land, a meadow at the Brockhampton Estate and the section I’ve been given is sloping with fruit trees. I can see that it’s not as well managed as the rest of the field, too difficult access for tractors but perfect for the scythe and I like to be able to show how this is a tool that can work where machines have problems. The vegetation looks lush, buttercups in some areas then longer grass with some clumps and I wonder how matted it will be at the base but it’s standing up despite the  heavy showers we’ve had so that will make things easier.
Enough delay, it’s time to take the first cuts. I’m careful and slow, tentative strokes to feel the blade in the grass and remind my body of the movements and how everything feels. Can I still do this; have I forgotten over the winter, will it be how I’ve remembered it from last year?  The doubts fade away the blade sweeps through its arc, my body remembers and with each cut my confidence builds and I relax into it more. Soon it’s like I was never away, I’m moving in a steady comfortable rhythm, breathing easily and enjoying the pleasure of the work.
Steadily folk arrive to watch and ask questions, a few trying themselves after being surprised by how effective and fun it looks. Gradually they move on to see other demonstrations and it’s just me mowing with Simon and Andy who have their own scythes and we work on as a team finishing up our allotted patch before stopping to chat about scythes, mowing and the coming season. It’s almost over too soon, I could have happily continued but breakfast is calling and I know there’ll be plenty more grass over the summer.

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Bodger's Ball 2011

This weekend I’ll be at the Bodger’s Ball, the annual get-together and AGM for the Association of Pole-lathe Turners & Greenwood Workers. This year it’s being held at Brockhampton Estate – Lower Brockhampton in Herefordshire. The weekend is normally full of folk showing their work, sharing knowledge and giving demonstrations. I’ll be doing some mowing with the scythe early on Sunday morning and discussing rakemaking with others. At the moment my tool kit for this comprises a small axe, carving knife, bow saw and (borrowed) drawknife. Such a stripped-down set actually feels very exciting as it will take me right back to basics and force a new approach to what i get involved in. Can’t wait to get there.

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Straightening rake stails

A straight stail is essential for a good rake so it can slide through your hands while you work and and for balance. You can test a rake’s balance by holding it horizontally in your hands. As you relax your grip it should rotate to hang with the head level and teeth down, ready for work. Otherwise you’ll always have to work to keep it level, tiring your arms and hands more quickly.
While Mike was shaving his rake stail from a length of cleft ash, I set about straightening some small coppice poles in the brake. The pole should be seasoned first and then steamed to make them pliable. I work carefully over the whole area of the bend, flexing it and gradually working out the curves.
You can see the results in the straightened pole stood up in the picture.

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Scythe documents declassified!

Thanks to unnamed contacts sympathetic to the Scytherspace cause I have come into possession of an FAO (Food and Agricultural Organization of the US) document entitled

Report to the Goverment
of Iraq on
Small Agricultural Implements

which has been specially declassified for us after 57 years. The 16 pages of text and 55 plates of farmers using wooden ploughs, two-man shovels and cradle scythes is obviously hot stuff and will be causing an international stir as we release details over the coming weeks.
Wikileaks eat your heart out!

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Rakemaking Workshop

Despite the recent setbacks with tools, over the bank holiday I ran a one-to-one workshop for Mike Carswell on making wooden rakes. This was hosted by Edward & Romola in the wonderfully inspiring Sprint Mill workshop.
Mike has just completed a 3 year coppice apprenticeship through the Bill Hogarth Memorial Apprenticeship scheme and now has his own business working the woods around Greater Manchester. He regularly cuts coppice ash and asked me to run a private course for him on using this for making rakes.
The pictures tell the process:
      
Through the day I wanted to impress on Mike the care and attention to detail that would result in a well-balanced, functional tool.  A straight stail (handle), even bends in the two halves of the split and carefully shaved and drilled head give a tool that is fit for work.
At times the stringy nature of the tough mancunian ash made the work more tricky but should lead to a very durable product. It was a full, busy day and Mike was surprised by how much is involved in making such a simple-looking item. I was really pleased with Mike’s work and he went home a happy man with a fine rake.

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Schröckenfux tshirt


Thanks to Christiane, I am now the proud owner of my very own Schröckenfux tshirt, as modeled here in Kendal on a rare sunny day.

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Workshop fire

I’ve recently moved house and so have been using space in a friend’s barn to do some of my own greenwood work. On Saturday morning I got a phone message saying there’d been a fire in the barn in the area where I stored all my tools and stuff. At first I thought maybe I’d misheard but it was still the same with a second hearing.  I called the friend who told me that thankfully no-one was hurt and the barn is relatively unscathed but everything in that corner of the barn was destroyed.
Yesterday I went over to have a look for myself and raked the remaining steel out from under the remains of a bench.


It’s hard to explain how it feels. I’ve never had a lot of tools, draw my inspiration from people  and cultures who can make with few tools and I try hard not to be attached to material possessions. I’m reminding myself that it’s not really the tools that are important; I still have the knowledge and skills in my head and hands, I can replace tools. Even so, these are tools I’ve worked with for several years, modified and refined for my hands and way of working. It’s overly sentimental to refer to them as friends but they were certainly familiar, special to me with stories behind them and I can’t help but feel sad to see them in this state.
What next?  I’m lucky that I have friends who will loan me tools in the short term so I can carry on with my work. An event like this raises thoughts and possibilities about what direction to take; it’s a crossroads.  Do I just buy an new set of the same tools or think about whether there’s actually other things I could be doing, or different ways of doing the same things?
‘What would you save if the workshop was on fire?’ is a popular conversation among makers to pass the time.  In truth I expect you rarely get the luxury or heartache of having to choose.

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Harvey Nichols installation

just a few extra photos from the Harvey Nichols installation.
timber in loading bay   Charlie & Harvey

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Harvey Nichols window display

I’ve been in Manchester this week, installing a new window display for the Harvey Nichols store. The scheme was designed and built by Charlie Whinney back in 2009 and since then has toured the group’s stores in Edinburgh, Leeds, Birmingham and Bristol. Each store is different in terms of window sizes so we adapt and modify the structures to suit. Made from steam-bent ash and oak, the structures are remarkably strong and flexible so we can get them into a shape to fit the space and placement of mannequins.
We were assisted by the in-house display team who helped with the assembly and gave valuable advice on what would be visible from the street and how to maximise the overall visual effect. I thought that working in the window of a shop in a busy city location would feel very awkward for being literally ‘on display’. Actually it was interesting how invisible it felt, as though we could observe the passing shoppers while being anonymous ourselves.
This was even more obvious on Tuesday evening when we worked through the night to install more loops and knots of ash onto the main entrance canopy. Lots of people passed by on their way to from a night out but few stopped to ask what we were doing or how the piece was made.  Maybe folk in the city see this sort of thing all the time.
The next day though we were pleased when the security staff on the front door said that, as professional people-watchers, they always keep an eye on the public’s response to a new display and had noticed that our steam-bent scheme was catching people’s eye and making them look.  Job done.
After it’s spell in Manchester, the final stop for the work is Harvey Nichols in Dublin so hopefully I will be on the installation team for that too, it’s certainly interesting to see the other side of how big stores work.

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